(Soria, 1981)

Hugo Alonso’s individual recent projects are November (Miquel Alzueta Gallery, Barcelona, 2017), RAW (Galerie Youn, Montreal, 2017), Pendulum (CEART, 2016, Madrid), Believers (La Salina, 2015, Salamanca), How to resurrect a dead fly (Medina Film Fest, 2013), Frederick Treves and the surgeon’s room (Salvador Díaz Gallery, 2010, Madrid) or Paintingdrome (DA2, Domus Artium 2002, 2007, Salamanca).
He has been part of group shows such as TOC (DA2, Salamanca, 2016), Poétique quotidienne (Galerie Youn, Montreal, 2016), This is not a love song (Pera Museum, Instanbul, 2015), Expanded light: new technologies in spanish videoart (Telefónica Fundation, Madrid, 2015), Art and Videoclip (Loop Festival, Barcelona, 2012), Mixed Emotions (DA2, Salamanca, 2008), Existence (MUSAC, León, 2007) or Heterotopies (Oktogon HfBK, Dresde, 2007).
He has been present in national and international contemporary art fairs such as ARCO (Spain), ART TORONTO (Canada), PAPIER (Canada), SEATTLE ART FAIR (USA), FORREAL (Netherlands), ART ON PAPER (Usa), ART PARIS (France) or CROSSROADS (UK).
His work can be seen in private and public collections such as MUSAC, DA2, CAB, BMW Fundation, Pilar Citoler, Rucandio, Bassat, CEART, and Caja España among others. He was invited by The New York Times Magazine to create a specific artwork for the October 2017 cover. /


Studio view, 2019